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The menus have been reorganised for more intuitive access, and now contain lots of icons and extra keyboard shortcuts, while the electronic help files have been redesigned.Īll these improve Wavelab's look and 'feel', but it's the new wave displays themselves that are most eye‑catching, featuring outlined waveforms and graduated backgrounds whose colours change if they are overlapped or selected (see screenshot above). Setting your graphics card to 24‑bit or higher colour mode is strongly recommended: leaving mine in 16‑bit mode gave me a warning message and some blank icons on the toolbar. Wavelab has had a complete makeover, with new 'brushed metal' front panels, XP‑style buttons and icons, and a completely new multi‑pane design for the Master Section. The most obvious changes are to the graphics. CD label editor and CD copying functions.Now supports mixed‑mode and CD Extra CD‑burning formats.Redesigned three‑pane Master Section with eight slots.Improved look and feel for windows and plug‑ins. #Mastering with wavelab installExisting users of version 3.0 can also install Wavelab 4 'over the top' if they wish, and when I tried this all my configurations and presets were preserved. #Mastering with wavelab serial numbersDue to better CD protection, the latest version requires no serial numbers to be entered, so installation is very straightforward. Interestingly, Windows XP is the recommended platform, although I had no problems running it under Windows 98SE. Wavelab 4.0 runs under Windows 98, ME, 2000 and XP, but not the older Windows NT 4.0 or 95, and 256Mb of RAM is recommended. He is also extremely quick at responding to reports by users, and by the time my review copy arrived had already posted two updates on the Steinberg web site. As usual, Philippe has been extremely busy over the last year, and there are many new features to explore. Wavelab 3's Audio Montage window provided non‑destructive multitrack audio editing complete with effects and vector automation, making the assembly of complex projects a breeze, although I/O was still limited to stereo.Īnd so to Wavelab 4.0. However, it was Wavelab 3, launched in 2000, that really pushed it ahead of the competition. By 1998 version 2.0 also added support for samplers, as well as a selection of audio analysis tools. #Mastering with wavelab upgradeThe upgrade to version 1.5 added its Master Section with six slots for adding real‑time plug‑in effects, while version 1.6 in 1997 added CD burning to its already comprehensive list of features. Unusually in these days of team‑driven development, Steinberg's Wavelab editing package is nearly all the work of one man, Philippe Goutier - and since its introduction in 1995, it's gone from strength to strength. Does the new version 4 keep it ahead of the competition? ![]() ![]() ![]() Featuring a great combination of exclusive video streaming education and live Q and A with mixing engineer and Mastering Academy-founder Friedemann Tischmeyer, this online course is structured to deliver the most content, while allowing you to be flexible time-wise with your learning.As an all‑round package for multitrack audio editing, mastering and CD burning, Steinberg's Wavelab leads the field. From creating and organizing your mastering session with effective presets, loudness management, the mastering plug-in chain and batch export of your tracks through to EQ and M/S mastering strategies – the Powerhouse course has it all. Add professional sonic finesse, balance, assertiveness, punch and clarity to your mixes which will make them really stand out. Take your productions to the next level by mastering them using industry-standard techniques. This 12-hour hybrid online course is dedicated to ambitious home music producers, professional mixing engineers and next-generation mastering engineers. Learn industry-leading mastering techniques and workflows with Wavelab Pro. #Mastering with wavelab proProfessional mastering techniques with WaveLab Pro ![]()
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